Albanian author Ismail Kadare was awarded the Man Booker International Prize in 2005, the very first year of the prize.

Recognising a writer for their achievements in fiction and world literature, the prize was open to any living author who has published either originally in English or has been translated into English. 

Kadare, a political exile whose work was previously smuggled out of his home country during Stalin’s regimie, was honoured for his full catalogue of work including his novels Spring FlowersSpring Frost and The General of the Dead Army. His books have previously been banned in Albania.

Professor John Carey, Head Judge of the prize, called Kadare ‘a universal writer in the tradition of storytelling that goes back to Homer.’

Of his win, Kadare said, ‘I feel deeply honoured by the award of the Man Booker International Fiction Prize. My firm hope is that European and world opinion may henceforth realise that this region, to which my country, Albania, belongs, can also give rise to other kinds of news and be the home of other kinds of achievement, in the field of the arts, literature and civilisation.’

 

 

The 2005 judges

I would like to take the prize that I have been awarded as confirmation that my confidence and my hopes have not been misplaced.

— Ismail Kadare, winner of the 2005 Man Booker International Prize

Background

Between 2005 - 2015, the Man Booker International Prize recognised one writer for their achievement in fiction.

Worth £60,000, the prize was awarded every two years to a living author who had published fiction either originally in English or whose work is generally available in translation in the English language.

The winner was chosen solely at the discretion of the judging panel and there were no submissions from publishers.

The Man Booker International Prize was different from the annual Man Booker Prize for Fiction in that it highlighted one writer’s overall contribution to fiction on the world stage. In focusing on overall literary excellence, the judges considered a writer’s body of work rather than a single novel.