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Satin Island

Satin Island

Set in contemporary London, Satin Island is a work reflecting disjointed times. 

A story about U. - a ‘corporate anthropologist’ working for an elite consultancy.  U.’s employers have set him two tasks. First, he must assist in the launching of a great, epoch-defining project which no one, least of all its own architects, fully understands. Second, he has been asked to compose the seemingly impossible: the Great Report – an ethnographic document to sum up our age. Instead, procrastinating, meandering, drifting through endless buffer-zones of information, U. grows obsessed with the images with which the world bombards him on a daily basis: oil spills, African traffic jams, roller-blade processions, zombie parades. Is there a secret logic holding all these things together – a codex that, once cracked, will unlock the master-meaning of our times? Might it have something to do with South Pacific Cargo Cults, or the dead parachutists in the news? Perhaps; perhaps not.

About the Author

Tom McCarthy

Tom McCarthy was born in 1969 and grew up in London. His creation, in 1999, of the International Necronautical Society (INS), a ‘semi-fictitious organisation’ that combines literature, art and philosophy, has led to publications, installations and exhibitions in galleries and museums around the world, from Tate Britain and the ICA in London to Moderna Museet in Stockholm and The Drawing Center in New York.

Tom regularly writes on literature and art for publications including The New York Times, The London Review of Books and Artforum.

His books include Remainder (2006), Men in Space (2007), and C (2010).